Reze in Rain-Darkened Subway Close-Up
Description de l'image
Reze from Chainsaw Man leans close to the rain-darkened window of a subway car bathed in cyan window glow and low amber lamps. Her violet-black bob frames porcelain skin, showcasing a single vivid emerald eye sharply focused on raindrops streaming down the glass. Soft strands of purple hair reflect neon lights, subtle magenta highlights catching teal rim light. She wears a slim black leather choker with micro-scratches, small moisture pearls cling to her lashes. The image features high-contrast HDR lighting with a balanced mix of warm tungsten and cool teal tones, faint neon signs outside bleed pink and blue bokeh into the blurred background. Weary commuters appear as soft silhouettes, with dynamic reflections and lens flare effects enhancing the cinematic realism. A razor-thin depth-of-field isolates her iris while hair strands and distant figures melt into creamy blur, finished with fine grain and slight chromatic aberration effects for a captured-through-real-glass feel.
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Paramètres de génération
Invite
A photorealistic, ultra-high-fidelity 85 mm f/1.4 prime close-up. Inside a rain-darkened subway car washed in cyan window glow and low amber carriage lamps. Reze from Chainsaw Man leans toward the glass, head tilted in quiet focus, violet-black bob framing her porcelain skin; her single visible emerald eye tracks droplets racing down the pane, lips parted as though tasting the night air. Fine strands of purple hair catch stray neon reflections; a slim black leather choker shows faint micro-scratches; moisture pearls along her lower lashes. Soft silhouettes of weary commuters blur mid-car, distant signal lights streak past in the window’s reflection. Cool teal rim light from the window balances the warm tungsten overhead, creating high-contrast HDR with subtle magenta highlights in her hair; faint neon signage outside bleeds pink and blue bokeh into the frame. Dust motes drift in the lamplight, gentle lens-flare ghosts arc across the glass, tiny condensation beads stipple the metal wall behind. A razor-thin depth-of-field isolates her left iris in tack-sharp focus while foreground hair strands and background passengers melt to creamy blur; slight chromatic aberration on brightest edges and fine cinematic grain seal the captured-through-real-glass realism.
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